Narrator: Alexandra Haag Length: 5 hours and 32 mins Publisher: Gretchen Rix⎮2016
Synopsis: All the normal sounds usually reaching the lower decks of the USS Goodall during routine subspace flight have just been cut off. As if someone at the controls suddenly wants the crew isolated. No loudly arguing male voices, no deliberately mishandled supplies tumbling down the corridor, no nothing. Has the impossible happened? Is this the Goodall mutiny everyone expected? Or is it something even worse? Marooned, with failing systems and inexperienced officers, the dangerously dysfunctional crew must fight to survive. Could surviving be a fate worse than death? The Goodall Mutiny. First in the Goodall series of science fiction mysteries.
Guest Reviewer Susan⎮I think this story may have been written by a dog. I mean that in the best way possible. The story is full of smells, hearing sounds that may or may not be there, an ornery (even devilish) cat, and quick life-saving reactions. The scents were so descriptive and I kept hoping nasal fatigue would kick in for Joan as someone’s pomade kept distracting her, Running Wolf vomited, everyone’s body odor, and the musk of ticked off cat kept adding to the horrible situation. The Goodall has suffered a major catastrophe and now part of that ship holds a dozen or so crew plus one angry, uncooperative cat. Joan Chikage is deeply concerned that a mutiny occurred in the upper decks that led to this catastrophe but she has to set that aside while she deals with the remaining crew in her little bit of damaged ship. She’s the ranking officer, so it’s her responsibility to keep her crew alive.
Alas, Running Wolf has already perished, and not in a quick, clean way either. The crew is understandably spooked by the condition of Running Wolf’s body. As Joan and the others try to figure out what has happened and how to stay alive, more bodies add to the pile and things get weirder and weirder. The handsome, quick-witted Van der Ryn may be her ally, or not. Hadar seems reliable… but things could change. Tiberius the captain’s cat wishes they’d all leave him alone. Yet he may be their safety net, as Captain Carmady is very attached to that cat and Carmady still has a functional portion of The Goodall. Everywhere she turns, Joan isn’t sure if she’s made the right call. Cloud Eater, Leichter, Praetor, etc. Joan needs to bind the crew together if they are to make it out alive yet one of them is a murderer.
I would have liked another woman or two in the story, just to bring some gender balance. The only other female gets fridged and doesn’t add much to the story before that point. I really enjoyed the addition of the cat (because I’ve had ornery, naughty cats and I can just picture such a one on a damaged spaceship) and the beetles. Oh yay – even a dog would be disgusted by the beetles at a certain point in the story.
Throughout the tale, I couldn’t help wondering if Joan Chikage was an unreliable narrator. Things look all squirrely to her, but she was acting paranoid from the start of the story. A few times, her crew has to restrain her, knock some sense into her, get her to take in some oxygen. The story ends on such a note that this might be the case, but I won’t know for sure until I check out the sequel. The ending is a bit abrupt and while one major hurdle is said and done, now Joan faces even more challenges and has plenty of questions.4/5 stars
The Narration: Alexandra Haag was a very good Joan Chikage. She had distinct voices for all the characters and her male voices were believable. Haag did a great job with Chikage’s emotions and self-doubts. There were no technical issues with this recording. 5/5 stars
Narrator: Emily Sutton-Smith, Lauren Ezzo, Will Ropp, Dan John Miller Length: 11 hours 55 minutes Publisher: Brilliance Audio⎮2017
Synopsis: Every time Gwen closed her eyes, she saw him in her nightmares. Now her eyes are open, and he’s not going away.
Gwen Proctor won the battle to save her kids from her ex-husband, serial killer Melvin Royal, and his league of psychotic accomplices. But the war isn’t over. Not since Melvin broke out of prison. Not since she received a chilling text…
You’re not safe anywhere now.
Her refuge at Stillhouse Lake has be-come a trap. Gwen leaves her children in the protective custody of a fortified, well-armed neighbor. Now, with the help of Sam Cade, brother of one of Melvin’s victims, Gwen is going hunting. She’s learned how from one of the sickest killers alive.
But what she’s up against is beyond any-thing she feared – a sophisticated and savage mind game calculated to destroy her. As trust beyond her small circle of friends begins to vanish, Gwen has only fury and vengeance to believe in as she closes in on her prey. And sure as the night, one of them will die.
4.75★ Audiobook⎮After finishing Stillhouse Lake, my immediate impulse was to grab Killman Creek as quickly as possible. My second, and prevailing impulse, was to take a little break in between installments. This is an incredibly intense and disturbing series. Maybe I didn’t emphasize the “disturbing” part enough in my review of Stillhouse Lake. This series warrants all kinds of trigger warnings. It manipulates your emotions and psyche, nearly to the point of paranoia. I had to take frequent breaks while listening just to slow my thudding heart.
But man, it’s just so damn exhilarating. I made it approximately 6 hours before breaking down and buying Killman Creek. I am so weak. It started out amazingly and broke into four POVs– Gwen, Sam, Lanny, and Connor. I was really loving the multiple points-of-view until I noticed that Connor was getting significantly more time to tell his tale. The Conner POV was the worst. He came across as whiny, bratty, and basically every stereotypically horrible thing a child character can be. I can’t tell you how many times I muttered “God, this idiot child is going to get them all killed”. Ugh, book kids are the worst.
For about 65% of Killman Creek, I thought I was hearing a second installment slump. Things moved pretty slowly and a lot of reckless mistakes were made. For all the intelligence Stillhouse Lake possessed, Killman Creek nearly ruined it all. I think splitting the characters up was a mistake. The separate storylines seem to be set up with less aplomb and cheaper plot devices were used (i.e. convenient ignorance).
However, and this is a big however, the climax saved everything. Both climaxes, I mean. They were incredibly satisfying, as I’ve come to expect from Rachel Caine. During the last hour, wild horses couldn’t have dragged me away from listening. The epilogue seemed both open and closed. There’s a glimpse of an HEA, but the door is definitely left crack a bit for another installment. I know that a third installment is supposedly forthcoming, although it has been delayed. I can’t possibly imagine why another installment and would be needed after the Killman Creek resolution and since a synopsis has yet to be released, I’ll just have to keep guessing. At least Killman Creek didn’t end with a giant cliffhanger like Stillhouse Lake.
Narration review: The thing I was most excited for when beginning Killman Creek was the multiple narrators brought on board to record the four points of view. Emily Sutton-Smith was back in action as Gwen and this time she was joined by three more performers for the POV chapters of Sam, Lanny, and Connor. All four narrators are to be commended for their performances, but one stood out among the rest. Even though Lanny wasn’t my favorite character, I found her chapters the most enthralling because of the emotion with which they were performed. Lauren Ezzo absolutely killed it. More so than the others, Lanny’s chapters were performed, not read, and the line between Lauren and Lanny was expertly blurred.
All four of these performances made in the separate POVs bearable. If you’re interested in picking up this installment, I definitely recommend hearing it on audiobook. I’ll be interested to see if multiple points-of-view and performers are used in the next installment as well. ♣︎
Synopsis: Grave Sight draws listeners into the intriguing world of Harper Connelly, a woman with a unique gift: she can “see” the deceased and how they died.
A teenage girl from a small Ozarks town is missing and feared dead. Hired by local police, Harper locates the girl’s body in a nearby forest. But there’s more than one corpse in those woods, and the second one raises questions no one wants to ask. Soon Harper and her stepbrother/assistant, Tolliver, are under suspicion. All they want is to get out of town, but they will have to clear their reputations first.
Charlaine Harris writes best-selling mysteries described by Booklist as “gripping and spicy”, and praised by the Denver Post for their “goofy charm”.
4.25★ Audiobook⎮It was just last week that I began a wild ride with Sookie Stackhouse and a few days ago that the ride began to slow because my unlimited listening services (Scribd & Playster) only had the first three books available and wouldn’t be getting the others until the end of July. I hastily bought the fourth book using an Audible credit, but quickly realized that I can’t/won’t spend credits on the remaining 9 books in the series.
So I began to hunt for something, anything, to hear while I wait to get my hands on more Sookie. My eyes didn’t stray too far from Charlaine Harris when they found her Harper Connelly series. I first tried listening to the Grave Sight last year, along with a few other series from Harris, but nothing stuck. This time, however, my expectations weren’t so high. The Harper Connelly series (or what I’ve heard of it so far) is nowhere near as good as Harris’ Midnight, Texas series or even her Southern Vampire Mysteries (AKA the Sookie Stackhouse series), but good writing is good writing and I just needed something to get me through the night, so to speak.
Therefore, I was pleasantly surprised by Harper Connelly. It didn’t knock my socks off like Midnight, Texas, but Harris’ writing always has this cozy quality to it that makes listening easy and enjoyable. It’s never taken me longer than a couple of days to get through one of her books. I know that Harris doesn’t like the term “Cozy Mystery”, but I do. I love a good cozy. The best things in life are cozy. What I don’t like is when a cozy mystery is simplistic, shallow, or predictable.
The premise of the Harper Connelly series is both familiar and original. Harper doesn’t necessarily see dead people, but she can locate dead bodies and suss out how they met their demise. That’s an interesting premise by itself, but the best thing is the depth with which Harris writes. She’s an expert at character development, something which the majority of cozy mysteries lack. Even if the details of Grave Sight’s plot arc were somewhat predictable (I pegged the who and why), Harris laid a solid character foundation for the series. I’m invested in Harper and Toliver. I want to follow them in various books, even if the trouble they will inevitably get into is only a sideshow to me.
I also found it intriguing that the main characters in this series are a brother-sister duo. They’re technically stepsiblings, but I’m confident that Harris won’t take us down a path with any shenanigans. Their devotion to one another and to their siblings is endearing. The story of their rough upbringing was almost oversold and had begun to become redundant by the end of Grave Sight, but I still appreciated the effort.
At the rate I’m already devouring this series, I may make it into the Aurora Teagarden series before I’m able to return to Sookie Stackhouse on July 27. Let’s just declare this Charlaine Harris month for me.
Narration review: This was the first Charlaine Harris book where I have been less than impressed with the narration. Alyssa Bresnahan didn’t do anything wrong, she just didn’t add anything to the experience. I will admit that I’ve become accustomed to a certain level of performance with Harris’ audiobooks. Susan Bennett and Johanna Parker both became instant favorites after I heard them. This performance from Bresnahan was done well enough to keep me listening to the series, but it doesn’t necessarily make me want to seek out her other work. ♣︎
Vampires have officially “come out of the coffin”, and Miss Sookie can’t wait for one to come her way.
Anthony Award-winner Charlaine Harris’ New York Times and USA Today best-selling Sookie Stackhouse novels entice countless fans with an irresistible mixture of vampire romance, beguiling mystery, and old-fashioned Southern charm.
The Audiobookworm's Review
Rating: 4.5 Stars
4.5★ Audiobook⎮ I watched HBO’s True Blood series in its entirety nearly a decade ago. I enjoyed it enough to finish the entire series, but I’ve never thought of it as one of my favorite shows. Last year, when I read the Midnight, Texas trilogy from Charlaine Harris, I considered listening to the Sookie Stackhouse novels. I adored the Midnight, Texas novels and wanted more of Harris’ atmospheric writing. But I was concerned that having already seen True Blood would hinder my enjoyment. From what I can tell, the HBO show was very closely adapted from the Sookie Stackhouse novels.
Recently, after doing some further research on the matter, I discovered that the TV show and book series go their separate ways after a certain point. This, and my hankering for something Southern Gothic, was enough to make me a dive head first into Dead Until Dark. I can now confirm that the first (and second) installments in this series closely mirror events from the television show.
However, it didn’t bother me as much as I had anticipated. Instead, it was rather nice to be introduced to the characters and setting of Bon Temps by Charlaine. She has this richly engaging way of setting a scene that almost feels downright cozy. I even found myself liking Sookie and Bill more than I did in the show. There were minor deviations, but for the most part, they were more like elaborations than outright differences.
Most of all, I really loved being able to picture the cast members while listening to Dead Until Dark (particularly Alexander Skarsgård!). But my favorite part, by far, was Bubba. Bubba is the vampiric incarnation of an American rock legend who was “turned” by a morgue attendant who happened to be a big fan. Although it isn’t outright stated, it’s safe to assumed that “Bubba” is/was Elvis Presley. As a huge Elvis fan, I loved this inclusion. Bubba doesn’t play a huge part in the story, but he still managed to be my favorite (even though he eats cats!). It’s a shame that Bubba never made an appearance in the television show (probably for legal reasons).
Even almost a decade removed from having seen the TV show, it was still hard to view Dead Until Dark with fresh eyes (ears). I love Harris’ detailed, yet straightforward manner of writing. It made the audiobook extremely easy to hear. I heard Dead Until Dark in a couple of days. And believe it or not, I actually think it was easier to follow in the book than the TV show. If you’ve yet to see it, I definitely recommend listening to the books first. I wish I had done it in that order.
Narration review: Although the material may not have been new to me, Johanna Parker was a pleasant surprise! She is such a find. I have been very impressed with her narration ability, especially her characterization. She does a marvelous job of providing clearly defined distinctions between the characters and matching said distinctions appropriately to each character’s persona. I was also floored by the authenticity with which she pulls off the Southern accent. The accent she gives Sookie actually sounds eerily similar to the one Anna Paquin used in the show. It’s a real Southern twang, not the Scarlett-esque “lilt” so many narrators use. Well done, Ms. Parker! I look forward to hearing you for the rest of the series. ♣︎
Narrator: Jiraiya Addams Length: 4 hours and 20 mins Publisher: RadioArchives.com⎮2017
Synopsis: A cruise ship crashes suddenly on Liberty Island. All onboard are dead by their own murderous hands. All but one. What secrets does the lone survivor harbor within her very soul? And what horrors does she bring? These are questions only the Green Lama can answer! Reintroducing the most unique Pulp Hero ever! In reality, The Green Lama is Jethro Dumont, a millionaire playboy who spent ten years in Tibet and now uses his Buddhist training to pursue Justice for those denied it! Can even the Green Lama, with his mastery of the supernatural and his radioactive salts, be enough to prevent the coming of… Scions?
Guest Reviewer Susan⎮This story was way more fun than I expected. I do enjoy pulp fiction but I usually have to be in a mood for it as so much of the genre can be campy and sexist. Not this one! I was happy to see so many female characters in the book – and they get stuff done too! They don’t just look pretty while being rescued.
Set in New York, there’s a variety of characters for the Big Bad Evil to infect and/or kill. The creeptastic aspects lead back to a ship that crashed into Liberty Island. It’s something out of a horror movie and it has the police baffled. But never fear! The Green Lama knows what this evil is, much to his sadness.
For such a short story, it’s a pretty big cast of characters. I did have a little trouble keeping them all separate. However, they are all interesting. There’s Jean Farell, who is a good shot and doesn’t shy away from rescuing men knocked unconscious. Frankie, who is French Black American, has a soft spot for kids that need rescuing.
Jethro Durmont, the hero of this tale, is a bit standard. He’s a millionaire white guy who lost his parents under horrible circumstances, and ran off to Asia to learn some mystical self-defense arts. Sound familiar, no? Batman, Iron Fist, The Arrow, etc. He does have at least one unique aspect – he needs his special radioactive salts on a regular basis to maintain his special powers. I hope he labels those appropriately so the guests don’t use them to flavor their soup!
Betty Dale, a newsreporter, has me wondering what will happen in the next book. She knows the Green Lama’s secrets but he also knows who she is. Then there’s poor Lt. Caraway. He made me laugh a few times but things didn’t go well for him in this story. Overall, it was a fun story. 4.5/5 stars
The Narration: Jiraiya Addams puts on a great performance. He has unique voices for all the characters and his female characters sound feminine. He went all out voicing the Evil, which was multi-layered voices for individual characters affected by it. Chilling! There were no technical issues with the recording. 5/5 stars
Synopsis: Gina Royal is the definition of average – a shy Midwestern housewife with a happy marriage and two adorable children. But when a car accident reveals her husband’s secret life as a serial killer, she must remake herself as Gwen Proctor – the ultimate warrior mom.
With her ex now in prison, Gwen has finally found refuge in a new home on remote Stillhouse Lake. Though still the target of stalkers and Internet trolls who think she had something to do with her husband’s crimes, Gwen dares to think her kids can finally grow up in peace.
But just when she’s starting to feel at ease in her new identity, a body turns up in the lake – and threatening letters start arriving from an all-too-familiar address. Gwen Proctor must keep friends close and enemies at bay to avoid being exposed – or watch her kids fall victim to a killer who takes pleasure in tormenting her. One thing is certain: she’s learned how to fight evil. And she’ll never stop.
5★ Audiobook⎮Stillhouse Lake kept me riveted, both mentally and physically. There were times when I was frozen in anticipation of the next sentence. Listening to Stillhouse Lake more closely mirrored the experience of watching a gripping television drama than listening to a story. I felt as if I could see everything play out in front of me. Audiobooks are popular for the convenience of multitasking, but the gripping intensity of Stillhouse Lake drove me to a one track mind.
This was my first Rachel Caine book. I’ve started two others in the past, Glass Houses and Ink and Bone, but never really connected to them. Because of that, I was a little hesitant to begin Stillhouse Lake. However, once I read the synopsis, I just knew I would enjoy it. Something about it reminded me of Kelley Armstrong’s Casey Duncan series, which I devoured it a few months ago. They share a common theme of abused women trying to disappear but finding more trouble in the process. I’ve always known that I like “strong female leads”, as a Netflix calls it. But what I like even more is when the female lead has to dig down deep to find strength she never knew she had. That type of empowering character development really appeals to me.
Similarly, Stillhouse Lake reminded me even more of Laura Lippmann’s And When She Was Good, which I just finished last month. There’s something really chilling about an abusive villain who has been locked away, yet whose reach still extends beyond prison bars. How does one ever feel safe, especially with kids involved? Stillhouse Lake brought to mind all sorts of enigmatic questions surrounding a serial killer’s other victims- his surviving family.
I’m dying (bad choice of wording) to see Stillhouse Lake adapted on screen. I know it would do well. As a protagonist, Gina/Gwen was extremely likable. Moreover, she was intelligent. There were no stupid mistakes or miscommunications for the sake of cheap drama. Caine didn’t need them. The mystery was woven together brilliantly. Even though I had suspected the culprit earlier on, I was kept on my toes enough to never be 100% certain. It certainly wasn’t outright predictable and I could have never guessed the extent of how it would play out. Stillhouse Lake was a thrill ride with tangible, endearing characters and exhilarating action.
I immediately knew I would be continuing on with the series, which has three installments, two of which have already been released. However, upon finishing Stillhouse Lake, I briefly wondered whether or not I should “take a breather” between installments because the first one had been so intense. Stillhouse Lake had invaded my thoughts and even my dreams. Ultimately, the decision was made for me because the next installment, Killman Creek, isn’t available via my listening service (Scribd) until the end of the month.
Narration review: Emily Sutton-Smith’s narration made Stillhouse Lake come to life. The approach she took (firm, dry, distant) was perfect for Gwen Procter. One of the reasons I’ve never made it through Rachel Caine’s Morganville Vampires series is the narration. Sutton-Smith did not disappoint. Her tone set the scene for Stillhouse Lake and it never wavered. It also enhanced the characters, especially helping me to get inside the mind of Gwen Proctor. Although I’ve never heard her perform before, Emily Sutton-Smith is definitely on my radar now. ♣︎
After discovering the series in October and finishing the first two installments that same month, it took me nearly 8 months to return to The Graveyard Queen. I loved The Restorer, but The Kingdomwore my patience thin enough that I needed a break from the series.
But the Summer always brings me back around to the Southern Gothic genre. I didn’t have the energy to search for a new Southern Gothic series (they can be hard-to-find), so I picked up The Prophet. Luckily for me, each installment in this series centers around a new (episodic) mystery. I was glad to see Amelia return to Charleston and even more glad to see her get away from Asher Falls. I’m glad she didn’t spend another book there. I appreciate the importance of The Kingdomto the series since it essentially functions as Amelia’s origin story, but for me it was more an installment to “get through” rather than to enjoy.
The Prophet dealt more with the Lowcountry’s version of magic, which is exactly my style. It showed flashes of what I loved about The Line and it was enough to whet my appetite for more of the series. The Prophet renewed my interest and my faith in Amanda Stevens and The Graveyard Queen. By the time I finished it, I was determined to finish out the series in quick succession.
The Visitor may have been the creepiest installment in this series and that’s saying a lot. Like The Kingdom, it explored another side of Amelia’s heritage. Believe it or not, The Visitor had a creepier angle than The Kingdom. Creepy or spooky is the perfect way to describe Stevens’ writing. It’s not necessarily outright scary. It’s never caused me to stay awake at night. But I definitely get spooked while listening.
Amanda Stevens has atmospheric writing down to a science. Curiously enough, the graveyard scenes are among the less spooky. For Amelia, cemeteries are a place of peace. She makes a point of emphasizing that she believes it’s people who are haunted, not places. Therefore, the hauntings can happen anywhere. Stevens also excels at using the five senses to enhance the experience of having a sixth sense. Amelia’s sightings are often accompanied by particular scents (like cloves, in The Visitor) and/or sounds, sometimes even physical sensations.
The Visitor was my second least favorite installment in this series and yet it divulges critical information about Amelia’s heritage and her gift. However, the unfolding of that information felt somewhat fumbly. No matter how much I adore Amanda Stevens’ ability to create such richly tangible settings, I still find her storytelling ability to be slightly subpar. It feels like she struggles to find balance between world building/character development (which she does amazingly) and plot progression. This causes almost all of her endings to seem rushed and thrown together. But by the time I finished The Visitor, I knew I was too far into the series to turn back. On to the next…
The Sinner was a weird one for me. For a while, I thought we were going to be dealing with zombies, but that angle never really came to fruition. When the series started out, there were the living and the dead (ghosts), but now we are entering a gray area with beings that are “something in between”. There was talk of an occult group that practiced necromancy, so I was sure zombies were the logical conclusion. They weren’t…, exactly. To be honest, I’m not sure what the plot conclusion was. Resolutions aren’t Amanda Stevens’ strong point.
The book’s ending, however, got my attention. My interest in the romantic angle of this series had been slowly growing over the last two books. I’ll admit that I didn’t see the break up coming. It was a nice curveball. I liked seeing insertion of a love triangle in The Visitor. I never felt the chemistry between Amelia and Devlin, so I was excited to see another player enter the scene and the end result of that triangle really threw me for a loop.
The end of the series is in sight, so I’m overlooking plot holes and leaning into the atmospheric richness. It’s perfect for listening during a Summer afternoon thunderstorm. It’s nice to see that Stevens isn’t afraid to contradict the obvious assumptions. So much of this series was beginning to seem formulaic. Her new approach is keeping me on my toes, but the new covers are making me cringe…
Besides The Restorer, The Awakening may have been my favorite installment in this series. The installments that are set in Charleston are always the best. Stevens’ atmospheric writing lends itself so easily to world building that Charleston feels like home for the series.
A lot of things culminated in The Awakening and a lot of loose ends were finally tied up. By the end of the book 5, I was fully invested in the Amelia+Devlin pairing. Although, I still haven’t warmed to Devlin individually, I’m beginning to ship them as a couple. The disconnect I feel with Devlin stems from his refusal to believe in the supernatural, even though it’s clearly all around him. I thought for sure that he would come around by the series’ end, but I was disappointed. It seems that there is still some character growth needed there, which is one of a few things that makes me believe (and hope!) that a spinoff series is in our future.
But the major thing that leads me to believe we haven’t seen the last of The Graveyard Queen is the glaring cliffhanger ending Stevens left us with. It would have been excellent fodder for an epilogue, otherwise. Let’s just say that my “spinoff Spidey senses” are tingling!
🎙 Narration Review: Khristine Hvam
Khristine Hvam has got to be one of my most frequently heard narrators. I’ve heard her narration so much that I’ve just about run out of ways to praise her. Hvam does way more right than she’s ever done wrong in the recording booth. And she did 9 out of 10 things right with this series.
The one thing I just couldn’t “cotton” to was her Southern accent. She gave an admirable effort, though. But even though artificial sweetener may be sweet, it’s just not the real thing! And before you think that I (as a native North Carolinian) judging too harshly, let me say that there are southern accents done by narrators that I have approved. Hvam’s definitely wasn’t the worst, but it wasn’t the best of either. There were some minor pronunciation issues and inconsistencies that briefly bothered me (i.e. Goodwine was pronounced inconsistently throughout the series). Because of these issues, this series wasn’t my favorite of Hvam’s work and I’m not sure that it adequately showcases her talent as other titles do, but she still did it justice.
Accent aside, Hvam added so much to the telling of this tale. She truly is a talented and intuitive narrator. Until hearing this series, I think I had underestimated the impact of a narrator’s tone, pacing, and inflection. These are the things I only ever think of when they take away from the story, but Hvam’s interpretation added to the atmospheric presence of the series, making it a truly immersive experience. She was an excellent match for Stevens’ writing.
OVERALL SERIES RATING:
Reviewer’s Note: This first three installments in this series are only available on audiobook through Audible.com. If you are interested in giving it a shot (which I totally recommend!), but don’t yet have an account with Audible, consider signing up through the banner below to get an extra audiobook with your free trial. Doing so will give me a small commission, but won’t cost you anything.
To sum up: You can get the first two installments of this series (or any other two audiobooks) for freeand help support The Audiobookworm!
Narrator: Johnny Heller Length: 6 hours and 26 mins Publisher: Tantor Audio⎮2009
Synopsis: NYPD Homicide Detective Nikki Heat feels sparks from ride-along, journalist Jameson Rook. A real estate tycoon plunges to his death. A trophy wife with a past survives a brazen attack. Mobsters and moguls with motives all have alibis. Dirty little secrets of the wealthy hide until Nikki shines a light.
Guest Reviewer Susan⎮This is fan fiction of a sort for the TV show Castle. I have only seen 1 episode of the show so I wasn’t sure what to expect when I got into this book. Heat Wave is a fun, fast-paced murder mystery. Detective Nikki Heat is brought onto a case that involves the murder of Matthew Starr, a real estate baron of New York. Jameson Rook, a reporter, manages to get himself attached to the investigation.
The action keeps the story moving along at a fast clip. There’s a little romance between Heat and Rook but it didn’t distract from the murder mystery. The plot itself was pretty straight forward, the mystery being fairly easy to unravel by the reader if not the main characters.
There are several sidekicks in the story, like detectives Ochoa and Raley and the medical examiner Lauren Parry. Mostly, they fade into the background and go unnoticed. Lauren has a few moments where her personality shows through. The cast of characters attempts various quips and jokes but much of it comes off flat. I was much more into the serious scenes. The action scenes were usually well done.
Over all, I liked Nikki Heat as a character. I will enjoy getting to know more about her in future books. While it was a quick, easy read, it had it’s charms. 3.5/5 stars
The Narration: Johnny Heller took some getting used to. His style is nearly monotone but he also tries to go for that hard-boiled detective story feel. Once I settled into his voice, I liked it well enough though I had to pay attention to which character was talking as Heller didn’t always make distinct voices. There were no recording issues. 3.5/5 stars
Narrator: Linda Emond Length: 9 hours 47 minutes Publisher: HarperAudio⎮2012
Synopsis: Perennial New York Times and national best-selling author and acclaimed, multiple prizewinner Laura Lippman delivers a brilliant novel about a woman with a secret life who is forced to make desperate choices to save her son and herself.
Heloise considers it a blessing to be a person who seldom attracts attention. In her suburb, she’s just a mom, the young widow with the forgettable job, who somehow never misses a soccer game. In the state capital, she’s the redheaded lobbyist with a good cause and a mediocre track record. But in discreet hotel rooms throughout the area, she’s the woman of your dreams – if you can afford the hourly fee.
For more than a decade, Heloise believed she was safe, managing to keep up this rigidly compartmentalized life. But her secret life is under siege. One county over, another so-called suburban madam has been found dead in her car, an apparent suicide. As 40 looms and her son enters adolescence, Heloise is facing a midlife crisis with much higher stakes than most will ever know. With no formal education, no real family or friends, Heloise has to remake her life – again. Disappearing will be the easy part. The trick is living long enough to start a new life.
4.75★ Audiobook⎮The best praise I can give And When She Was Good is to say that it was the only audiobook (out of approximately 7-10 contenders) that could grab and keep my attention during a particularly annoying two-week listening slump. I could drone on about how unfair it is to be caught in a listening drought right at the beginning of Audiobook Month, but I’m just so relieved to be out of it!
There was probably nothing wrong with the other audios I tried listening to, as I’ve found that listening slumps have more to do with my state of mind than with specific audiobooks. Nevertheless, I’m not only overjoyed to have been so enthralled by And When She Was Good, but to have also discovered of Laura Lippman and Linda Emond. Laura Lippman’s writing style was like a breath of fresh air. It was straightforward, yet realistically detailed. The pacing was enjoyably slow, giving appropriate time to world building and character development. It may be too slow for some listeners’ tastes, but I appreciated the opportunity to really “sink into” the story, like a warm bath.
Besides, the promise of climactic action was always just underneath the surface. Lippman’s laying out of the story was intentional and calculated, without seeming overtly so. It was extremely intellectual, offering thought-provoking insights instead of mere fluff. Heloise’s cerebral nature may have pushed away those in her environment, but it was what I found most endearing about her. That, and her fierce maternal love. Sometimes a character’s vulnerabilities don’t lie within their own flaws, but in the existence of those they love. This was a poignant and intriguing premise.
Heloise was an amazing main character, possibly one of my favorites in a long time. Surprisingly, I enjoyed the brief flashbacks detailing her past and explaining how she got to her current position in life. I normally don’t enjoy flashbacks and I thought I wouldn’t like these, but Lippman direct writing style won me over. She was able to directly tie past events in Heloise’s life to their effects in her present, thus making the flashbacks seem useful to the plot as well as character development.
I chose And When She Was Good over Lippman’s other titles because (at a glance) it seemed to be the only one built around a premise other than a “whodunit”. There is a murder that acts as a catalyst in the story, but not a central event. I found that very refreshing. I would recommend And When She Was Good to anyone who has enjoyed the television show The Client List. Both feature women trying to compartmentalize their personal lives as suburban moms from their professional lives as escorts.
I’m so glad to have discovered Laura Lippman. I will 100% be checking out more of her titles in the immediate future.
Narration review: Linda Emond’s voice is singularly enjoyable. She has a voice I could listen to all day long (and did during the course of binging this audiobook). Emond is undeniably a quality narrator and it’s clear that she knows her way around a recording booth. I am as glad to have discovered her as I am Laura Lippman. They make an incredible team and I’m happy to see that they have collaborated on other titles as well. This was an all around excellent listening experience. ♣︎
Narrator: Kevin E Green Length: 1 hours and 27 mins Publisher: Monique Roy⎮2017
Synopsis: An intriguing, middle-grade audiobook that takes young listeners, ages 9-12, on a physical and emotional journey to Venice, Italy.
This enchanting story revolves around the relationship between Samuelle, a young boy, and his grandfather Leo. Leo has learned that he suffers from a terminal illness, and in his wistful skimming of artifacts from the past, he uncovers treasured mementos of his earliest years, growing up in the romantic city of Venice. Sharing them with Samuelle, he infects the boy with an infatuation for the city, one they will both share when Leo decides to accept an invitation to participate in the annual Regatta, a rowing festival that his own great-grandfather had competed in with great success. The two embark on their journey without Samuelle knowing about Leo’s illness, but Leo makes a promise to himself that it is in Venice, after he has passed on his knowledge and fondness for the city to his grandson, that he will reveal the truth about his fate. Venice becomes a special place in their hearts forever.
This beautiful, middle-grade chapter book will show young listeners, ages 9-12, the strong impact and importance of family, love, and the community in our lives. Listen to this preteen book with your kids, grandchildren, nieces or nephews, and you will be instantly transported to the romantic city of Venice, Italy! The vivid descriptions of Venice enliven the story. From the food and the architecture to the art and the magical canals, you are right there in Venice, without the long flight and the icky airplane food! All adventurers wanted: preteen listeners are taken on an emotional journey that is educational, sad, sweet, and heartwarming, and opens their eyes to geography and cultures.
Guest Reviewer Susan⎮While this is a short tale, Monique Roy packs quite a lot into it. Grandpa Leo and his grandson Samuelle take a vacation in Venice, a city Leo knows well. Samuelle’s parents are gone and Leo wants him to get to know his Venetian relatives. The city of Venice really shines in this story.
I loved the relationship between Leo and Samuelle. Gramps really cares about the boy and takes great joy in showing off his old stomping grounds. Even though Samuelle is young, he soaks it all in. Their combined excitement on this vacation is palpable throughout the story.
Leo has a secret he’s been holding back from Samuelle because he wants the lad to enjoy Venice and not be troubled by Leo’s health issues. This made the last quarter of the story really standout. I was worried what Samuelle would do if his gramps passed away, being as young as he is.
Meanwhile, Samuelle continues to make friends in Venice. His impromptu explorations of the old Jewish ghetto was interesting. I also liked that Samuelle got to know Leo’s old flame, the one that got away. All these people are scattered throughout Venice and that let’s the author show off her own knowledge of this beautiful and historical city. In the end, it was Venice that captured my heart (sorry Samuelle). 5/5 stars
The Narration: The Narration: Kevin E. Green was a great pick for the narration. He had a great old, slightly gravelly voice for Leo and a great kid voice for Samuelle. He also did Italian accents for all the Venetian natives. His female voice (I believe there was only 1) was believable. There were no recording or technical issues. 5/5 stars
➜ This audiobook was received at no-cost from Audiobookworm Promotions. The gifting of this audiobook did not affect my opinion of it.